Try not to overthink it at first. Embrace happy accidents they just might end up working for you later on!
Paint and ink your motifs! Just start.Composition? Color? Different ways to apply line work/details? Variation in shape? Abstraction or detail? Etc. Instead, think about which elements inspire you. Just remember, if you use the internet, be careful to not trace other people's work line by line. If you plan to make a floral or fruit illustration, consider buying some flowers or fruit to take pictures of, or use Pinterest/Google/etc. Don't be shy about looking to reference for help.If you find certain things that work better for you, edit them in to make your own custom workflow. First, remember that your workflow doesn't have to match mine exactly.It’s time to create your own gouache influenced vector illustration! Follow along with the videos to get your project underway, or look to the following steps for a refresher: So get out your painting supplies and let’s get started.Īdobe, and Adobe Illustrator are either registered trademarks or trademarks of Adobe in the United States and/or other countries. Some familiarity with Illustrator is recommended, but I will be going over all of the tools I use in detail, so even if you’re a beginner, you can still follow along just fine. And hopefully this class will provide you with an option for creating a traditional-esque effect that you can feel happy with. I essentially spent three years developing a style in Illustrator that I’m happy with, so if you’re feeling frustrated by this process, you’re not alone. The sooner you understand that, the better. How do I keep the integrity of my traditional work using Illustrator? The unfortunate truth is that it's just not possible to keep every detail once you vectorize something.
#SUPER VECTORIZER SAFE HOW TO#
I’ve noticed in my time in various online art communities, that figuring out how to incorporate watercolor and gouache into Illustrator is something that a ton of traditional artists with a love of texture struggle with time and time again. I love working both traditionally and digitally, and this method is a really fun way to combine the best of both worlds.
I’ll also go over all of the most common Illustrator tools I use for drawing, coloring, and assembling motifs. Then I’ll walk you through vectorizing your work and assembling the elements. In this class, I’ll show you how I paint and ink in order to get the best results in Illustrator and make the digitizing process as easy as possible. So instead of just explaining it, I wanted to provide an in depth, visual demonstration that I can point people to. Bringing my gouache work into Adobe Illustrator and vectorizing it, so that I can use some of the awesome tools that Illustrator provides is one of my favorite methods for combining traditional and digital media, and I’m often asked about my process for doing so.
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